HeARTache artist
Mäf Räderscheidt
"Studied at the Cologne factory schools , which she completed as a master class student of Marianne Kohlscheen-Richter. Since the 1980s, the focus of her work has been on paintings , charcoal drawings , performances and installations . From 1981 to 1983 she was a lecturer in drawing perception in the art and art department Design at the Cologne University of Applied Sciences . In the mid-1980s she was a co-designer of the feminist magazine Emma . "
Excerpt from their Wikipedia article
Räderscheidt is not only a women's rights activist, she also campaigns for animal rights and deals with veganism in her works. More about the artist and her work on her website: maf-art.com
"Summer is hot, the cow must be taken off the ice – watercolor with hidden meanings"
Evangelia Bantiaka
Bantiaka received her artistic degree from the Aristotle University of Thessaloniki (Faculty of "Fine Arts"). Born in Greece, Bantiaka now lives in Essen, where she teaches art and takes part in street art projects.
Her work will deal with the subject of fear in our exhibition.
Her work "Fear", which has already been used in a street art project, finds a successful balance between illustration and collage.
"Fear", 100 cm x 70 cm
Christian Kammerhofer
"The" dictatorship of art "is bullshit,
since it has long since arrived in advertising and with the people!
The advertising industry and the people are more artists than the artists themselves. I don't want to have to pass the brutality and corruption of art and culture on to the people myself.
The country needs new topics - Europe "
Source text: www.kammerhofer-christian.com
Kammerhofer, who lives in Vienna, has his studio in Berlin Kreuzberg. Kammerhofer's work is always spontaneous. The simplest materials on paper or cardboard meet in a cheeky way. Kammerhofer is uncomfortable with canvases and overpriced materials, so you will hardly find him at Boesner and Co. Kammerhofer does not intend to portray as lifelike as possible, he reflects his own emotions, so he aims for an emotional and not an aesthetic representation.
Kammerhofer impresses with his directness and his courage not to shy away from unpopular topics. According to Kammerhofer, the artist should be an artist and not a decorator.
More about Christian and his work: www.kammerhofer-christian.co m
Pavel Miguel
"Pavel Miguel, born in Cuba, is a sculptor and painter.
He has already presented his work in numerous exhibitions in Cuba, Europe and the USA and is a member of the BBK, UNEAC and the "Art for Peace" association.
Source text: www.pfinztal-art .de
Miguel is a man who works with his hands, he brought his Cuban tough art to Karlsruhe, where the artist has been working and living since 2006. Miguel creates sculptures out of terracotta, wood or metal ... In short, depending on the topic, the artist makes himself owns every material and reinvents itself in every exhibit.
More about Pavel and his work: www.pavelmiguel.de
"Pain of Silence"
50 cm x 70 cm
"The tree I have inside",
45 cm x 40 cm x 35 cm
Judith Christine Riemer
Born in Braunschweig, she studied interior architecture, but she found and finds her fulfillment in fine art.
In your current series, Riemer uses quick strokes to capture human movements, one believes her characters dare to dance, in truth they physically depict extreme emotions such as despair.
More about Christine and her work
"oT" 100 cm x 70 cm
Christin Dahms
Dahms grew up in Mecklenburg-Western Pomerania and now works as a commissioned artist in Trier.
She recently completed her Magistra Artium in Art History. We invited Ms. Dahms to our exhibition because her work deals with the “Helping Hands” topic.
"Helping Hands" 50 cm x 70 cm
Elisabeth Kopjar
Kopjar creates an environment that resembles a dream sequence and leaves plenty of room for interpretation.
Her color compositions also give the pictures a very three-dimensional effect that almost tempts the viewer to reach into the picture.
Kopjar herself describes painting for herself as serious fun and that it is always a pleasure for her to observe how viewers feel addressed by her pictures. Your contribution to our themed exhibition is about the separation of mother and daughter.
Still life "60x80cm"
Philipp Eggersglüß
Eggersglüß alienates unloved pieces so that they can finally follow their actual purpose of evoking emotions.
He uses his own characters, as well as figures from modern pop culture, in paintings and embroidery. The artist imitates the style of the works, the figures used merge with their new surroundings. Some pictures therefore only make their big appearance at second glance. A meeting of two worlds that couldn't be more different - a friendly teasing of old, dusty status symbols with the playful spirit of modernity.
"DAT ASS! - Behave"
65.5cm x 82cm
Kerstin Buchholz
Buchholz, born in Dorsten and raised in the Ruhr area, to which she says she owes her very own accent and idiosyncratic mentality, attended an art school for graphics and design in Gelsenkirchen in 1992.
Buchholz works full-time as a qualified social pedagogue, but never lost touch with painting and in her free time experimented mainly with acrylic, pastel and watercolor paints, charcoal pencils, color sprays and structure paste. Since then, smaller commissioned work and the creation of a picture book for children have followed.
Working as a board member at the Art and Culture Association in Dissen through an exhibition and contacts to the VHS enable collaboration this year (in the form of art courses, for children and adults)
"Incoherent self on the edge of the safety net of a bipolar society"
100 cm x 70 cm (cutout)
Anke Vos
Anke Vos was born in Würselen in 1980 and focused on art in school and at university. After spending one and a half years abroad in South America, she is now working near Oldenburg.
First of all, as a background design for her pictures, Anke Vos found a means in random color forms that she wanted to use for her works. Today she is often inspired by random, painterly shapes, flowing colors and amorphous decal comania. She usually interprets the forms on paper, canvas or wood with drawings and complements them with printing elements and drawings. This creates fantastic beings and fantasy worlds that seem like surreal dream sequences.
(Text: Anke Vos)
More about Anke Vos
LOST MILK
The illustrator from Lower Saxony claims to be the only real unicorn, notably before it became mainstream.
Ela, who works under the pseudonym "LOST MILK," belongs to the "LowBro" style, characterized by a playful, often humorous mixing of objects, which is also evident in Lost Milk's works. She skillfully translates her love of horror films into her art, which is often marked by a grotesque, surreal darkness, while always leaving room for a touch of irony.
The artist from Sarstedt has participated in several exhibitions in the Hanover region and also contributed to the film "Antithesis." For our exhibition, she will present, among other works, "Skin Picking."
More about Lost MILK here: FB/Lostmilk
Rosemary Remstedt
Hannover-based painter, an experienced visual artist from our region. Originally from England, her work reflects the Fauvist style, characterized by vibrant colors and flat, expansive palettes.
Learn more about Rosemary here: rosemaryremstedt.de
"Escaped" 2x 69.5cm x 42cm
(Right half of the
"Skin Picking" 24 cm x 32 cm
"OT" 40 cm x 40 cm
Peter Brauchle
PETER BRAUCHLE, born in 1970 in Weil am Rhein; lives and works in Lustadt, Rhineland-Palatinate.
His works, created from aluminum, bronze, stone, wood, or plastic, primarily symbolize introspection and the finding of one's own center. The forms are often exaggerated and elongated, yet always in a balanced equilibrium. His creations spring from the primal instincts of the elements; they clearly convey power and are an expression of their physicality.
The statics of objects are very important. Statics as an expression of existence. The inner dynamics of life manifest themselves outwards. Contours and lines become expressions of the joy of life. Every newly discovered contour is a new thought and thus an impulse of life.
(Text by Peter Brauchle)
Safet Alimi
Safet Alimi has been active as an artist in the public sphere since 1997. Since 2004, he has worked under the pseudonym of his art project "Plastica Obscura," which has become the hallmark and label of his work. This work is characterized above all by a spirit of experimentation with a wide variety of media and materials; performance art is also part of his repertoire. His work is unified by its thematic connection, which is always rooted in fantasy and mythology, but also includes references to the darkness and taboos of mainstream society. In this way, Alimi manages to immerse the viewer in a bizarre world full of terrifying beauty and eerie, hidden gems.
